Performance, music, and art have deep roots in the unique creative landscape of Los Angeles. New experimental power trio (Marnie Weber, Dani Tull, & Doug Harvey) Faüxmish is sure to be a part of this legacy.
Faüxmish is celebrating the release of their debut LP & CD ‘F for Ache’ with their debut public performance at Human Resources in Los Angeles on September 2nd. More info here.
Faüxmish is a Los Angeles art-rock supergroup that came together over a shared engagement with American spiritual sects who remove themselves from established social norms and create their own culture as outsiders.
Taking as their motto “Simplicity Through Noise,” Faüxmish have developed a practice rooted in improvisational ensemble playing using electric guitars (played with rubber mallets and other extended as well as traditional techniques) and vintage synthesizers, in various combinations of three.
Initially conceived as a ‘wall of sound,’ the group’s music rapidly developed a complex and idiosyncratic audio vocabulary drawing on the members’ widely divergent individual musical backgrounds, which range from noise to prog, post-punk to film scores, and 90s alt-rock to improvisational audio collage. The results range from dreamy ambient soundscapes to theatrical rock songs.
My interview with the amazing Marnie Weber featured on Lux.
Marnie Weber creates fantastical worlds that, quite frankly, I want to live in or, at the very least, pay a visit. Her atmospheres are an aesthetic mash up of Victorian, 1970s commune, and gritty punk filled with the kind of unsettling creatures that would scare the pants off you if they weren’t somehow totally endearing. Indeed, there is something very magical and intangible about her film, collages, and installations. Weber expresses the theatricality of old Hollywood, bringing forth our own nostalgic tendencies through the expression of death and dreamscapes. Her images are touching, luscious, and melancholic; reflecting another world placed firmly within our own.
For the past six years, Marnie Weber has woven together fictional narratives about the post-mortem adventures of the Spirit Girls, taking us on their bizarre and uncanny journey through the afterlife. Earlier this month at the Mountain View Cemetery & Mausoleum in Altadena, California, Weber put an end to their perpetual mourning and opened up a new avenue for exploration. Eternity Forever, presented by West of Rome Public Art, was inaugurated with a funeral processional and the debut screening of Weber’s film The Eternal Heart where the Spirit Girls, in their last performance, played the live score. This exhibition, which also features a new series of collages, represents the death and re-birth of Weber’s ongoing relationship with her monstrous characters.
CONTINUE READING ON LUX’S WEBSITE
Image: crowd at the Eternity Forever opening. Courtesy of Marnie Weber and West of Rome.