The Henry Moore Institute in Leeds’ United Enemies film screening series explores “how artists in the 1960s and 1970s deployed sculpture in film, as well as using film to rethink sculpture”. As part of this they presented Malcolm Le Grice’s Horror Film 1 (1971) where, once again, we can consider horror film as a structure. Or perhaps even sculpture.
From LUX’s website:
All are superimposed on each other with the projectors aimed from different angles. The superimpositions create a continually changing colour light mix. I interrupt the beam with a series of formal actions creating a complex set of coloured shadows. The final section involves focusing a pair of skeleton hands onto the screen in relationship to my own hands. The intention with this as with my other shadow pieces, is to build a complex visual experience out of simple and readily available aspects of the projection situation. M.L.G. from ‘Real Time/Space’, Art and Artists Dec 1972.
“One of his most simple, most classical, and also most ecstatic pieces”. Jonas Mekas, Village Voice, Oct 11th 1973.
More recent versions of Horror Film 1 have been performed without the final section containing the skeleton hands and with the use of three projectors.
Malcolm Le Grice
Horror Film 1 (1971)
Performance with slide projector, two film projectors
Performance, music, and art have deep roots in the unique creative landscape of Los Angeles. New experimental power trio (Marnie Weber, Dani Tull, & Doug Harvey) Faüxmish is sure to be a part of this legacy.
Faüxmish is celebrating the release of their debut LP & CD ‘F for Ache’ with their debut public performance at Human Resources in Los Angeles on September 2nd. More info here.
Faüxmish is a Los Angeles art-rock supergroup that came together over a shared engagement with American spiritual sects who remove themselves from established social norms and create their own culture as outsiders.
Taking as their motto “Simplicity Through Noise,” Faüxmish have developed a practice rooted in improvisational ensemble playing using electric guitars (played with rubber mallets and other extended as well as traditional techniques) and vintage synthesizers, in various combinations of three.
Initially conceived as a ‘wall of sound,’ the group’s music rapidly developed a complex and idiosyncratic audio vocabulary drawing on the members’ widely divergent individual musical backgrounds, which range from noise to prog, post-punk to film scores, and 90s alt-rock to improvisational audio collage. The results range from dreamy ambient soundscapes to theatrical rock songs.
This Saturday (3 September) as part of the Vision Sound Music Festival at the South Bank Centre is London is the Sound of Fear. Quite related to a link I mentioned earlier on sound/music/affect in horror films (actually it’s a topic that keeps coming up more and more). The scoop is below and, oh yes indeed, John Carpenter is included!
Sound of Fear is an epic two-part event featuring an international cast of artists, critics and composers brought together in a celebration of the music and sound design of the horror film. Through live performance and discussion, Sound of Fear explores the musical universe of horror, with its supernatural soundscapes and shrieking string arrangements, and pays homage to the masters of musical menace who have made the horror movie soundtrack a melting pot of opposing musical cultures.
Tracing the historical developments and cultural significance of music set to horror films, Sound of Fear looks at the introduction of the European avant garde into popular culture via the Hammer pictures of the 50s, Bernard Herrmann’s redefinition of how horror was heard with his revolutionary score for Hitchcock’s Psycho and the influence of cult director John Carpenter’s atmospheric genre scores of the late 70s and early 80s on a new wave of musicians working today.
Artist Vicki Bennett’s (aka People Like Us) will be screening Horror Collage (2008) on Saturday 3rd September, Part 1 6pm-8:10pm and Part 2 8:30pm – 10:30pm. Watch a clip here.
Click here for times, schedule, and ticket information.