Brief recap of gallery exhibitions from October 2, 2013.
Aldo Tambellini We Are the Primitives of a New Era at James Cohan Gallery
Blows everything away. Read review here.
Raymond Pettibon To Wit at David Zwirner
Pettibon’s ongoing original narrative on America culture with his interest in language, humor, film noir, baseball, and surfing now includes personal expositions on his family (wife, son, dog).
David Noonan at Foxy Productions
Theatrical in content, David Noonan’s de-sconstructed works usually hold a mythologized quality to them that’s sooky and enchanted. The interest in his new works that appropriate images of Butoh (Japanese experimental theater) lies less in the abstracted imagery and more in the politicized content the group embodies.
Michael Raedecker at Andrea Rosen Gallery
While it may be tempting to discuss this work solely in terms of its formal qualities, it seems far more interesting to discuss the embodiment of suburbian norms through seriality and literal inversion in a nearly post-apocalyptic landscape.
Damian Ortega at Gladstone Gallery
Twenty-five suspended steel objects, each lit by overhead lights, cast shadows of the alphabet. Considered this a spatial call for a new language. STUNNING. (see image)
Phil Collins at Tanya Bodakar Gallery
Installations where the viewer must participate in order to fully comprehend the work aren’t really where my interests lie but Collin’s video The Meaning of Style is a mesmerizing commentary on the appropriation of subcultures (in this case, UK Skinhead culture).