This Halloween I contributed to Network Awesome’s Horror-Punk Weekend extravaganza with the text: Theatre of Blood: Sam Raimi’s Evil Dead II…
Sam Raimi’s Evil Dead II (1987) is a cinematic resurrection of the director’s earlier film Evil Dead(1981). It can be dangerous territory when an artist is given license to go back and adapt their own work but in re-appropriating his own film, Raimi, much more Georges Méliès than John Carpenter, reclaims an originality within the genre during a time of over-used horror movie conventions.
And that’s just the beginning! Click on the link above to read the whole thing including musings on architecture, Gaston Bachelard, and the video nasty.
Life is an obscure hobo bumming a ride on the omnibus of art – Maxwell H. Brock
My first essay for Network Awesome Magazine went up this week. It’s a re-do on a little ditty about Roger Corman’s A Bucket of Blood where I discuss sculpture, failure, the art world, murder, humor, and Deleuze. You know, the usual.
Read: Who Says the Art World Isn’t Scary: Roger Corman’s Classic A Bucket of Blood
Two essays of mine have landed on the fabulous Network Awesome: The Burning (horror film and 1980s politics) and A Bucket of Blood (satirical horror and the art world). Check them out:
What Makes a Man Start Fires: 1980s American Culture and The Burning
Through the lens of a campfire horror tale, Tony Maylam’s slasher classic The Burning (1981) begins with a prank gone wrong and ends with a series of revengeful murders. Gleaning from a culturally volatile period in America history, The Burning visually manifests displaced youth in the most gratuitous manner. It perpetuates, capitalizes, and exploits the fear that the unknown can happen to any one…read the rest and watch the film here.
Who Says the Art World Isn’t Scary?: Roger Corman’s Classic, A Bucket of Blood
If there’s a better satirical film on the art world than A Bucket of Blood (1959) then I certainly haven’t seen it (note: John Waters’ Pecker comes close). This playful jab at the beatnik artist types of the 1950s easily translates into the ridiculousness of contemporary art. Reportedly made by “King of the B-movies” Roger Corman for a mere $50k, A Bucket of Blood is a thoughtful and provoking look at the beginning of modern art as cultural phenomenon. It has a lot in common with the 1953 version of House of Wax (André De Toth) in its representation of the frustrated and revengeful artist, however, it moves beyond the artist as “individual” to cleverly mimic — and mock — the capriciousness of the art world as a whole…read the rest and watch the movie here.
Beginning a writing project involving The Wicker Man that will be presented along with Darren Banks’ upcoming show Backwater in Northampton.